![]() ![]() It's a stadium-worthy display for tracks that are ultimately destined to soundtrack a tragic blackout case slithering from the Love Lift. Bergling's Vegas residencies have rubbed off: eight layers of lasers form dense neon mesh-works and tower blocks of sizzle, his drops are heralded with more fire and steam than Backdraft and his podium is a gigantic diamond-shaped screen pumping out lavish visuals of swilling champagne and melting fractals. He could be streaming his two hours of Ibizan whoomps, thumping oontz-oontzes and sampled soul platitudes straight off Kiss FM for all the 30,000 arm-flailers of Earls Court care, but he nonetheless atones for his gaffe with a night of sheer spectacle. The dance community, like a laptop Magic Circle, denied this vehemently and Avicii retracted his comments, but the world's third biggest DJ and EDM frontrunner left us with the image of an artist who merely twiddles the volume knob and plays air synth for $250,000 a night. ![]() L ast April, Swedish house DJ Avicii, aka Tim Bergling, let a somewhat obvious cat out of an already transparent bag when he admitted that most major DJ's sets are pre-programmed. ![]()
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